I have a special treat today! I'm so excited to be the kick off stop on the Blog book tour for Jill Hanratty's new book: Plus Size Fashions. They are all CROCHET! and they are all WEARABLE! You're going to love them. You'll know Jill's name from frequent appearances in Crochet! and Interweave Crochet magazine. Jill also has other books out with Annie's Attic that you may also enjoy, but today we are talking about this one:
Each day this week, Jill will be stopping by blogs answering questions about each of the designs in the book. Today we will be talking about the yellow design and.... We'll be giving away a book! Be sure to stop at all the other blog tour stops each day this week for more information and possibly, don't quote me on this... more opportunities to win a copy.
Here's Jill! Love the top, Jill.
In
Plus-Size Fashions, there are 5 classic shaped garments in sizes from 1x to 6x.
They have simple modern styling that can be dressed up or down.
The designs have clean modern lines, great wardrobe building projects that can be worn for casual or business. Classic styling that you can add your own accessory flair. Careful consideration to proportion and comfort. Great design details take the designs from simple to clever.
Jill, I seem to remember you have some formal Fashion Design coursework, would you please tell us about it and how you think it relates to your crochet design work?
About 15 years ago, I learned that a fashion design school had opened within walking distance of my day job (in Newark, NJ). I had been sewing clothes for myself and others for years and was happy to have an opportunity to learn to make patterns instead of altering commercial sewing patterns. With the exception of sewing courses, I took the full curriculum. This included several courses in patternmaking, as well as courses in grading, sketching and draping.
The patternmaking and grading courses have been the most relative to crochet. One valuable lesson I learned was to “eyeball” a graded pattern. An incongruity that may not show itself in small sizes can grow into a big problem as the pattern is graded up in size!
Where did you get your great buttons throughout the book? Do you choose buttons before, during or after designing the garment?
I decide on the size of button to best suit the garment during the design process and then set about trying to find just the right match for color and size. (The buttons on the Swinging Pearl Jacket are perfect, aren’t they?) Although I have a sizable button collection (yarn stash; fabric stash; button stash—it never ends!), I use buttons which can be found at fabric/craft stores. The button selection at these stores can be mind-blowing—more so if the store includes fashion fabrics in its offerings.
The yarn used (Lion Brand Cotton-Ease) is one of my favorite cottons because it comes in so many pretty colors, but many of the other garments are made with Bamboo or Bamboo blends. Why did you choose cotton and how will that change the garments wear-ability from the Bamboo?
In addition to the great color selection, I like the texture of the LB Cotton-Ease and thought it was both soft and stable enough to show off the stitch pattern without stretching out of shape. I envision wearing the Soft V-Neck Pullover almost year-round with different layers beneath it to suit the weather. Cotton and cotton blends always appeal to me because they transcend seasons and require less care than other fibers. The bamboo blends I used in the other designs call for hand-washing, whereas the pullover can be machine washed and dried. That will make it easier to wear it all of the time!
While you live in New Jersey, I know you often get into “the City”, New York City. What inspiration do you absorb from the city and the people of New York City.
LOL—you may consider New York a source of inspiration, but I generally look at it as one big shopping trip! The yarn shops in New York City are great and they are always inspirational! (I love the new annual tradition of the NYC Yarn Crawl begun last year!) I have occasionally gone bead shopping with a jewelry-making friend, and the colors of the beads always have an influence on me. One of the most striking features of the city is the different atmospheres you encounter in different areas—different styles of dress stand out depending on where in the city you are, and that of course makes an impact on my designs.
One of the reasons why the designs look so modern is the lack of heavy button bands and edgings. Was this a conscious decision to balance with the proportion of the larger sizes?
I rarely use a separate button band. While I like to sew when I am sewing, I am not so keen on sewing more than necessary when I crochet! I prefer simple edgings and like to incorporate buttonholes right into the body of the regular stitch pattern. This eliminates the possibility of the body of the garment stretching while the button band remains intact, or vice versa. I doubt I would have chosen a different method regardless of size!
Thanks Jill!
Now, if you want to win the copy I am giving away... you need to leave a comment on THIS post by Tuesday, Nov 16 at 11:00pm Eastern time. You must include your first name, last initial, and city of where you are from. You must be a US or Canadian resident. I'll randomly pull the winner from the comments and post the winner on Wednesday. The winner will need to email me with your mailing address by Friday the 19th.
IF YOU CAN'T WAIT to see if you might win the book... you can buy it NOW, either as a hardcopy or an instant electronic download for $9.95 at
this link to Annie's Attic.
Here are the links for the rest of the tour stops this week: